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Showing posts with label Historic Arc. Show all posts
Showing posts with label Historic Arc. Show all posts

Wednesday, December 28, 2011

Pyramids of Giza

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Pyramids of Giza
The pyramids of Giza are perhaps the only true rival to the Great Sphinx when one thinks of ancient Egypt and its architecture. The Valley of Giza -- with its wonderful monuments -- is truly a marvel of architectural prowess. The three largest pyramids located in the valley consist of the Great Pyramid of Khufu, the Pyramid of Kafhre and the Pyramid of Menkaura.

The Great Pyramid of Giza enjoys special status among the "Seven Wonders of the Ancient World". None of the others have survived into the modern era. The construction, date, and possible symbolism of the Giza pyramids are still not entirely understood. This mystery only adds to the attractiveness of these ancient wonders and many modern people still regard Giza as a spiritual place. A number of fascinating theories have been offered to explain the "mystery of the pyramids".

Everytime I visit such a famous place like pyramids of Giza, I'm faced with a challenge that this place was photographed probably a trillion times and it is nearly impossible to come with something original. The day I visitted Giza valley rewarded me with some wonderful sky with clouds that created nice shadows passing over pyramids. This "caravan" of camels appeared just at the right place and time to give the photo timeless feel.

Tuesday, December 27, 2011

Rock-Hewn Churches

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Rock - Hewn Church   Lalibela, Ethiopia
The 11 medieval monolithic cave churches of this 13th-century 'New Jerusalem' are situated in a mountainous region in the heart of Ethiopia near a traditional village with circular-shaped dwellings. Lalibela is a high place of Ethiopian Christianity, still today a place of pilmigrage and devotion.

The rock-hewn churches of Lalibela are exceptionally fine examples of a long-established Ethiopian building tradition. Monolithic churches are to be found all over the north and the centre of the country. Some of the oldest of such churches are to be found in Tigray, where some are believed to date from around the 6th or 7th centuries. King Lalibela is believed to have commissioned these structures with the purpose of creating a holy and symbolic place which considerably influenced Ethiopian religious beliefs.

The 11 medieval monolithic cave churches of this 13th-century 'New Jerusalem' are situated in a mountainous region in the heart of Ethiopia near a traditional village with circular-shaped dwellings. Lalibela is a high place of Ethiopian Christianity, still today a place of pilgrimage and devotion.

Lalibela is a small town at an altitude of almost 2,800 m in the Ethiopian highlands. It is surrounded by a rocky, dry area. Here in the 13th century devout Christians began hewing out the red volcanic rock to create 13 churches. Four of them were finished as completely free-standing structures, attached to their mother rock only at their bases. The remaining nine range from semi-detached to ones whose facades are the only features that have been 'liberated' from the rock.

The Jerusalem theme is important. The rock churches, although connected to one another by maze-like tunnels, are physically separated by a small river which the Ethiopians named the Jordan. Churches on one side of the Jordan represent the earthly Jerusalem; whereas those on the other side represent the heavenly Jerusalem, the city of jewels and golden sidewalks alluded to in the Bible.

It was King Lalibela who commissioned the structures, but scholars disagree as to his motivation. According to a legendary account, King Lalibela was born in Roha. His name means 'the bee recognizes its sovereignty'. God ordered him to build 10 monolithic churches, and gave him detailed instructions as to their construction and even their colours. When his brother Harbay abdicated, the time had come for Lalibela to fulfil this command. Construction work began and is said to have been carried out with remarkable speed, which is scarcely surprising, for, according to legend, angels joined the labourers by day and at night did double the amount of work which the men had done during the hours of daylight.

Like more episodes in the long history of this country, there are many legends about this king. One is that Lalibela was poisoned by his brother and fell into a three-day coma in which he was taken to Heaven and given a vision of rock-hewn cities. Another legend says that he went into exile to Jerusalem and vowed that when he returned he would create a New Jerusalem. Others attribute the building of the churches to Templars from Europe.

The names of the churches evoke hints of Hebrew, a language related to the Hamo-Semitic dialect still used in Ethiopian church liturgies: Beta Medhane Alem (House of the Saviour of the World), Beta Qedus Mikael (House of St Michael) and Beta Amanuel (House of Emmanuel) are all reminiscent of the Hebrew beth (house). In one of the churches there is a pillar covered with cotton. A monk had a dream in which he saw Christ kissing it; according to the monks, the past, the present and the future are carved into it. The churches are connected to each other by small passages and tunnels.

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Rock-Hewn Churches, Lalibela, Ethiopia

Hierapolis-Pamukkale

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Hierapolis Ancient City Turkey
Deriving from springs in a cliff almost 200 m high overlooking the plain, calcite-laden waters have created at Pamukkale (Cotton Palace) an unreal landscape, made up of mineral forests, petrified waterfalls and a series of terraced basins. At the end of the 2nd century B.C. the dynasty of the Attalids, the kings of Pergamon, established the thermal spa of Hierapolis. The ruins of the baths, temples and other Greek monuments can be seen at the site. This site is exceptional by vurtue of its superlative natural phenomena - warm, heavily mineralized water flowing from springs creating pools and terraces which are visually stunning. It is on this outstanding natural site that Hierapolis, an exceptional example of a Graeco-Roman thermal installation, was established. The Christian monuments of Hierapolis constitute an outstanding example of an early Christian architectural complex.

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Cotton Castle , Pamukkale Denizli Turkey

Pamukkale, which literally means 'cotton castle', is the name the Turks gave to the extraordinary site of Hierapolis. The name was inspired by the preternatural landscape of bizarre forms created by calcite deposits from the hot springs that surface through a fault: mineral forests, petrified cascades and terraced pools of an immense natural nymphaeum. The ancients attributing healing powers to the hot springs (35 °C) equal to their power to metamorphose the landscape, they founded a thermal station on the site in the late 2nd century. The history of Hierapolis followed the same course as many Hellenistic cities in Asia Minor. The Romans acquired full control of it in 129 BC and it prospered under its new rulers. It was a cosmopolitan city where Anatolians, Graeco-Macedonians, Romans and Jews intermingled. The hot springs which attracted throngs of people 'taking the waters' also served another purpose: scouring and dying wool.

The therapeutic virtues of the waters were exploited at the various thermal installations which included immense hot basins and pools for swimming. Hydrotherapy was accompanied by religious practices, which were developed in relation to local cults. The Temple of Apollo was erected on a fault from which noxious vapours escaped. The theatre, which dates from the time of Severus, is decorated with an admirable frieze depicting a ritual procession and a sacrifice to the Ephesian Artemis. The necropolis affords a vast panorama of the funerary practices of the Graeco-Roman epoch. According to ancient tradition, Philip the Apostle converted it and was crucified there by Domitian around the year 87. Hieropolis remained one of the two metropolises of the Phrygia Pacatiana as well as being a bishopric. The group of Christian buildings are the cathedral, baptistry and churches. The most important monument is the martyrium of St Philip. At the top of a monumental stairway, the octagonal layout of the building is remarkable because of its ingenious spatial organization. The fortress, built on the cliff, testifies to its ultimate historic phase.

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Ruined Architecture
The Pamukkale National Park is the focal point for the natural values of the site, formed by its highest travertine terraces, with 20 m high cliffs and waterfalls, and situated along on the foothills of the Cokelez Mountains. The terrace is about 200 m above the Curuksu plain and extends some 6 km between the villages of Pamukkale and Karahayit. Semi-circular pools occur in a step-like arrangement down the upper third of the slope. Fresh deposits of calcium carbonate give the pools a dazzling white coating. The travertine deposits, Quaternary in age, are thought to originate from a fault in the contact zone between the Mesozoic crystalline rocks and the layers of the Neogen series. The springs form part of a complex hydraulic system extending 70 km to the north-west to Alasehir and west along the valley of the Menderes River. These canals take thermal water to nearby villages and agricultural areas, some over the years having accumulated travertine deposits up to 10 m in height. The oldest rocks in the area are crystalline marbles, quartzite and schists and are located in the northern parts of the park. Most of the rocks are of the Pliocene epoch.

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Amphitheatre - Hierapolis Ancient City , Turkey

A vegetation map produced in 1969 showed land use, in descending order of area covered, as cultivated land, bare land subject to erosion, bare land urban areas and maquis. There are some 45 species of flowering plant, while in Denizli Province there are records of ten species of mammal and ten species of bird. State ownership around 500 m, rising to 1,840 m in the Cokelez mountains, to the immediate north of the park peaks further out but surrounding the park rise to 2,308 m (Babadağ) and 2,571 m (Honaz).

The natural features of the site provide the setting that attracted the original Roman town of Hierapolis. They thus form an important backdrop for the cultural landscape that now dominates the area.

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